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Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Condola Rashad as a sober and cleareyed Joan of Arc in George Bernard Shaw’s “Saint Joan.”

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

The Lyric Theater underwent major renovations for “Harry Potter and the Cursed Child,” including exterior additions that are symbolic to the play: a wing on the facade and a rooftop nest with a child huddled inside.

Review: ‘An Ordinary Muslim’ Gets Caught Between Cultures and Genres

Review: ‘An Ordinary Muslim’ Gets Caught Between Cultures and Genres

Purva Bedi, left, and Sanjit De Silva play husband and wife in “An Ordinary Muslim.”

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Review: In a Teenage Take on ‘Richard III,’ Now Is the Prom of Our Discontent

Tiffany Villarin, left, is pursued by Gregg Mozgala, as a young version of Richard III, in “Teenage Dick,” a Ma-Yi theater production.

In ‘Grey Rock,’ a Palestinian Playwright Tackles the Ordinary

In ‘Grey Rock,’ a Palestinian Playwright Tackles the Ordinary

Amir Nizar Zuabi’s play “Grey Rock” is about a Palestinian man who decides to build, in a shed, a rocket to the moon.

Ding. Hiss. Chirp. Broadway’s Best Sounds (Other Than the Songs).

Ding. Hiss. Chirp. Broadway’s Best Sounds (Other Than the Songs).

Tom Gibbons, the Tony-nominated sound designer of "1984."

The Secret Life of Sven

The Secret Life of Sven

Sven, featured in “Frozen” at the St. James Theater — and inhabited here by the actor Adam Jepsen — has a mix of reindeer and human-like qualities.

After ‘Hamlet’ and ‘King Lear,’ Where Else Can Paapa Essiedu Go?

After ‘Hamlet’ and ‘King Lear,’ Where Else Can Paapa Essiedu Go?

“There’s a line of classical roles for Paapa, if he wants to play them,” the director Simon Godwin said.

Review: ‘Is God Is’ Reinvents the Good, the Bad and the Ugly

Review: ‘Is God Is’ Reinvents the Good, the Bad and the Ugly

From left, Alfie Fuller, Dame-Jasmine Hughes, Anthony Cason and Caleb Eberhardt in “Is God Is” at Soho Rep.

Review: Downtown Renewal Means Trouble in ‘Paradise Blue’

Review: Downtown Renewal Means Trouble in ‘Paradise Blue’

Kristolyn Lloyd, above, looks after the jazzman played by J. Alphonse Nicholson, as well as the Detroit club he runs, in “Paradise Blue.”

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

From left, Jim Parsons and Matt Bomer in the 1968 play, about a group of gay friends, being presented on Broadway for the first time.

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

He’s the Producer. She’s the Talent. Who Owns the Hit Record?

“I know what it’s like to be in a room with a rock star,” said Joe Penhall, whose new play “Mood Music” is about the recording industry.

Daughters of African Immigrants Use the Stage to Tell of Two Worlds

Daughters of African Immigrants Use the Stage to Tell of Two Worlds

Clockwise from top left: Danai Gurira, Jocelyn Bioh, Mfoniso Udofia and Ngozi Anyanwu.

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

New York Has Its ‘Jerry Springer’ Moment, With Arias and Dancing

Terrence Mann, as the title character in “Jerry Springer — The Opera,” was lifted up by the cast during rehearsal for a scene about good versus evil.

Review: ‘Harry Potter and the Cursed Child’ Raises the Bar for Broadway Magic

Review: ‘Harry Potter and the Cursed Child’ Raises the Bar for Broadway Magic

A scene on Platform 9¾ in “Harry Potter and the Cursed Child” at the Lyric Theater. From left, Noma Dumezweni as Hermione Granger, Susan Heyward, Paul Thornley, Brooklyn Shuck, Benjamin Wheelwright, Sam Clemmett, Poppy Miller and Jamie Parker as Harry Potter.

At First Performance of ‘My Fair Lady,’ the Drama Was Offstage

At First Performance of ‘My Fair Lady,’ the Drama Was Offstage

A program for the world premiere production of “My Fair Lady” in New Haven.


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