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These Actors Are Off Book. Way Off.

These Actors Are Off Book. Way Off.

Tami Sagher, a comic improviser, and Cristin Milioti, a stage and television actress, collaborating in a sketch based on Steven Dietz’s play “Trust,” at the Upright Citizens Brigade.

This ‘Othello’ Is Powered by Women

This ‘Othello’ Is Powered by Women

From left, the lighting designer Jane Cox, the costume designer Toni-Leslie James, the sound designer Jessica Paz and the scenic designer Rachel Hauck at the Delacorte Theatre in Central Park.

Review: ‘Mary Page Marlowe’ Lives an Ordinary, Extraordinary Life

Review: ‘Mary Page Marlowe’ Lives an Ordinary, Extraordinary Life

Kellie Overbey (with David Aaron Baker) during a particularly explosive period in the life of the title character in “Mary Page Marlowe.”

Ding. Hiss. Chirp. Broadway’s Best Sounds (Other Than the Songs).

Ding. Hiss. Chirp. Broadway’s Best Sounds (Other Than the Songs).

Tom Gibbons, the Tony-nominated sound designer of "1984."

 The Ones We Left Behind

The Ones We Left Behind

Ellen McLaughlin in the 1993 Broadway Production of “Angels in America.”

Review: A Yiddish ‘Fiddler on the Roof’? Sounds Crazy, Nu?

Review: A Yiddish ‘Fiddler on the Roof’? Sounds Crazy, Nu?

Ben Liebert, left, and Rachel Zatcoff lifted on chairs during the Yiddish version of the musical “Fiddler on the Roof” at Stage 42 in Manhattan.

An Antidote to Digital Dehumanization? Live Theater

An Antidote to Digital Dehumanization? Live Theater

Ayad Akhtar maintains that what he calls the “attention-finance complex” has contributed to the collapse of a collective well-being.

Ayad Akhtar Gets a European Welcome, With Conditions

Ayad Akhtar Gets a European Welcome, With Conditions

From left, Peter Simonischek, Irina Sulaver, Aenne Schwarz and Philipp Hauss in Ayad Akhtar’s “The Who & the What” in Vienna.

In This Play About Race, ‘People Need to Be Uncomfortable’

In This Play About Race, ‘People Need to Be Uncomfortable’

The playwright Jackie Sibblies Drury, right, with the actress MaYaa Boateng, at Soho Rep, where “Fairview” is being staged. Some say the play goes too far, and others say it doesn’t go far enough.

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Review: In Shaw’s ‘Saint Joan,’ a Sane and Sensible Martyr

Condola Rashad as a sober and cleareyed Joan of Arc in George Bernard Shaw’s “Saint Joan.”

A Play About Race and Memory, With Fresh Wounds All Around

A Play About Race and Memory, With Fresh Wounds All Around

January LaVoy rehearsing for “Native Guard,” which is now being staged at the Atlanta History Center.

How Broadway Keeps Trying to Get the Disco Beat

How Broadway Keeps Trying to Get the Disco Beat

Ariana DeBose, center, in “Summer The Donna Summer Musical.” which features such hits as “Hot Stuff” and “I Feel Love.”

Review: Familiar Rock Dreams in ‘Gettin’ the Band Back Together’

Review: Familiar Rock Dreams in ‘Gettin’ the Band Back Together’

Jay Klaitz, Marilu Henner and Mitchell Jarvis as New Jerseyites reconnecting with their inner rockers in “Gettin’ the Band Back Together.”

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Review: ‘The Lehman Trilogy’ Is a Transfixing Epic of Riches and Ruin

Simon Russell Beale, Adam Godley and Ben Miles star in Stefano Massini’s “The Lehman Trilogy.”

Falling for the Lure of the Stage. The Backstage.

Falling for the Lure of the Stage. The Backstage.

Natalie Soto during a walk-on role as a part of the stage crew in “Dance Nation” at Playwrights Horizons.

How to Listen to Rock ’n’ Roll in a Theater

How to Listen to Rock ’n’ Roll in a Theater

Erik Jensen plays Lester Bangs in “How to Be a Rock Critic,” part of the Under the Radar festival at the Public Theater.


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